best fuji x lens for video

Best Telephoto Zoom Lenses for Fujifilm X-Pro3 Fujifilm XF 100-400mm f/4.5-5.6 R LM OIS WR ($1,749) The Fujifilm XF 100-400mm lens is a weather-sealed, superior telephoto lens that gives photographers exceptionally sharp images with a 152-609mm equivalent in 35mm format. Those looking for easy “run and gun” optics for shooting vacation videos or vlogs can skip on down to the next lens on our list; the Rokinon/Samyang 12mm f/2 just isn’t for you.Â. If stabilization is a major requirement for you, you should opt for the Fujinon XF 18-55mm F2.8-4 R LM OIS. Beyond autofocus performance, though, is also the matter of AF motor noise. This was at a time when all the major Japanese manufacturers still produced everything in Japan. Thanks to its APS-C sensor, it can take you from a wide-angle view to a serious telephoto coverage, equivalent to 27-206mm. The Rokinon RK21M-FX 21mm F1.4 is made for the APS-C-format Fujifilm X-mount mirrorless cameras, providing a 31.5mm equivalent focal length. The premium feel is attributed to its barrel and physical aperture ring. The build quality for the XF16mm f/1.2 is generally excellent. This newly released pair of Viltrox lenses may offer some stiff competition, but how good are they The motor autofocus is efficiently fast, making the lens excellent for various shots from landscape, to architectural, sports, and even wildlife photography. I blog and publish articles about camera lenses here at lensguide.io. Assuming you can actually find one that fits your camera. A wide-angle lens is a … That’s right, no autofocus of any kind. You can follow him on. An … Not only does this let more light in, but now ultra narrow depth of field effects suddenly come within reach of APS-C users too. A 150mm filter adapter may be required for the XF 8-16mm lens to use filters. For a start, image quality is superb; at 18mm you can expect to see exceptional center sharpness with only a negligible drop-off in resolution towards the edges; at 35mm the picture is only marginally different, with central sharpness still excellent and corner sharpness just a tad less impressive. Best Macro Lenses for Fujifilm X-T4 Fujifilm XF 80mm f/2.8 R LM OIS WR Macro ($1,199) Ideal lens for close-up shooting. When used with a 1.52x crop factor, the Focal length of the XF55-200mm shows the same angle of view of an 80-300mm on a 35mm camera. To help you make a more informed decision on the lens to pick, we have reviewed ten of the best Fuji lenses of 2020. These help to control the distortions and aberrations, which are a big nuisance to photographers. This waterproof XF model makes it an ideal companion for street photography, reportage, landscapes, etc. And thankfully bokeh is very pretty, thanks to nine rounded aperture blades. All is not lost, though, as thankfully the addition of a Fringer EF-FX PROII lens adapter will make the Sigma compatible with most Fuji X-mount cameras. It has a strong reputation among photographers and film-makers, with its line of APS-C X-mount cameras and medium format GFX models. The catch? The choice is entirely yours. Primes, on the other hand, tend to be very sharp, relatively affordable, and offer excellent light-gathering abilities in the form of a fast maximum aperture. There is also a physical aperture ring, offering clickable increments from f/2 through to f/16. This product combines a wide-angle perspective with a fast maximum aperture, to provide the best image results. Indeed, here smooth action, accuracy, and silence are generally more highly valued than speed.Â. But no more than we might expect from a lens of this focal length.Â. This means that there is no genuine connection between your input and the behavior of the lens. Also, both focus action and zooming are internal, meaning that the front element doesn’t extend when carrying out either task. So as long as you have a steady hand, camera shake shouldn’t be too much of a problem. Also, it should be noted that there is some quite obvious vignetting at the corners. True, the adapter adds considerable extra expense to the purchase price of the lens. Offering an angle of view equivalent to a 35mm lens on a full-frame camera, the Fujinon 23mm f/2 iR WR is a sharp and fast prime lens that comes at a bargain price. Furthermore, a Nano Coating System (NCS) has been applied to all lens elements to reduce and prevent flares and ghosting. Hope you find them helpful, don’t hesitate to leave a comment! If you’re a user of Fujifilm X-series cameras, you might not find any other lens that offers a wider zoom view than the Fujifilm XF 8-16mm f/2.8 R LM WR. This is partially attributed to their protruding front elements and in-built lens hood. The Fujifilm X-S10 is shaping up to be one of the best small, mid-range mirrorless cameras you can buy. The XF16mm lens is made to withstand low-light shooting and create blurred backgrounds, helping you get personal with the subjects. True, this is yet another Fujinon focus by wire lens – which never come close to true manual focus in terms of precision and control – yet the MF action is good enough here that it shouldn’t hold you back. The Fujifilm Fujinon XC35mmF2 offers great value for your money, but if you’re looking for a budget choice, the Fujifilm Fujinon XC35mmF2 would be an excellent pick without sacrificing on the quality. This post has a lot of photography jargon. The main competitor for this brand is the Fujifilm XF10-24mm F4 R OIS, which has about half its weight and comes with in-built stabilization. But it’s particularly handy in a lens for video. When this lens is used on an X-series camera in manual mode, both the monitor and EVF screens display the distance scale. But if the quality of bokeh produced by a lens is particularly poor – i.e. In any case, this latter issue clears up once you close down the diaphragm a stop or two. I am struggling with underexposed videos using my X-T3 and 10-24mm with interior Real Estate videos even with a decent amount of natural and ambient light. Samyang / Rokinon produce a range of manual focus prime lenses for the Fuji X-Mount system, including the excellent Rokinon 12mm f/2. Provides an 85mm equivalent focal length, the Fujifilm XF 56mm f/1.2 R is one of the best and most popular portrait lenses available for APS-C-format Fujifilm X-mount mirrorless cameras. True, softness will usually be most apparent when shooting at the widest apertures; something you’re likely to spend a lot of time doing as a film maker. There's not much bad to say about the Fujifilm Fujinon XF 55-200mm F3.5-4.8 R LM OIS—it's one of the best 55-200mm lenses we've seen, but it is on the pricey side. Save my name, email, and website in this browser for the next time I comment. This is one lens that I always bring with me when traveling. The lenses are small and housed in a composite plastic barrel with a matte black finishing. But what it lacks in focal range it more than makes up for in quality. Featuring enviable optics, a beautifully fast maximum aperture, and solid AF performance, this is a lens that is well suited to a wide range of filmmaking scenarios. What’s more, the chunky MF ring offers genuine hard stops and the ability to toggle between AF and MF control simply by snapping it back and forth. Top 6 Best Video Lenses For Fuji X-Mount Cameras The number of lenses available for Fuji X-mount cameras has expanded rapidly over the last few years. Finally, this lens is priced a lot more competitively than some of Fuji’s other offerings, making it an appealing proposition for videographers on a relatively tight budget. First things first, this is not a lens made for X-mount, I included it here because for the price, it’s a really good alternative to native fuji lenses for videography.You will need this adapter to make it work with your Fuji camera. Featuring a focal length equivalent to 122mm (on a 35mm format), a maximum aperture of F2.8 and 1.0x magnification factor, this Fujifilm XF 80mm f/2.8 Macro lens is well-suited to … What would your personal lens recommendations be for anyone wanting to use their Fujifilm cameras for video? Meanwhile, despite employing the focus by wire system, the manual focus ring turns smoothly and silently, with just the right degree of resistance – making it well suited to video work. If you’re the owner of one of the few Fujifilm cameras that comes with built-in image stabilization – such as the Fuji X-T4 for example – this is not an issue you need worry about. Autofocus is lightening fast, highly accurate, and near-silent; at most you might detect a slight hum if using your camera’s onboard mic to record audio. This is yet another excellent performer that delivers solid results for its price. For users of other Fuji models, though – especially those who shoot a lot of handheld footage – lack of image stabilization may very well be a genuine deterrent to purchasing this lens.Â. The dimensions of the lens do not change during focusing as it is entirely internal. Meanwhile, chromatic aberrations are so subtle as to be barely present and flare is kept well under control. Now that we have gone over the best prime lenses, let’s check out Fuji’s top zoom lenses. Nonetheless, for the best results, be sure to experiment with your AF settings. The lens features a snappy and near-silent ultrasonic focus motor. This Fuji lens is perfect for walkabout and travel photography thanks to its ‘superzoom’ features. When it comes to shooting video with the Fuji X-mount system, if you have to choose just one piece of glass to work with, it should probably be this one.Â. The lens is made using 11 elements from 8 groups – one of which is a two-sided aspherical element and two extra-low dispersion elements. The 5-stop optical stabilizer is a plus if you like traveling light. It has been on our recommendations list for long, thanks to its excellent optical quality and all-weather design. Image sharpness is excellent in the center even when shooting at f/1.4, with just some slight softness in the corners. Lensguide.io is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com. If all you can afford is one and only one lens for video… Get this: (If you can wait)… Fujifilm XF 16-80mm f/4 R OIS WR Lens (Amazon, B&H) Or if you can’t…. Your email address will not be published. Those who prefer to set focus manually will no doubt be pleased to learn that MF action is also surprisingly good for a lens of the “by wire” variety. Either option is valid. Thankfully, though, a number of third party lens manufacturers produce lenses for the Fuji X-mount system that come with genuine manual focusing abilities.Â, No matter what kind of images you plan on shooting, optical image stabilization is a very handy feature to have in a lens. You effectively get several lenses in one, but don’t have to mess about changing them mid-shoot.Â. Even though the difference between the wide-angle settings of the 8mm and the 10mm is insignificant, the coverage is noticeably greater in practice. Not only are images produced with the Samyang/Rokinon beautifully sharp, even when shot wide-open, but the lens also suffers from very little in the way of optical defects or anomalies.Â. It’s also important to remember that when a lens is a little soft, the problem tends to be most noticeable at the edges rather than in the center of the image. The widest prime lens available for the Fujifilm X series is the Laowa 9mm f/2.8 Zero D, providing coverage up to a 113° angle of view. In-focus elements are razor-sharp, silent, and fast, making this model one of the best Fujifilm cameras for discreet shooting. Fuji videographers in need of a wide angle prime that they can depend on would do well to check out the Fujinon 16mm f/1.4 R WR. Here’s the bad: although the Sigma 18-35mm Art lens is available for several camera systems, sadly Fuji isn’t currently one of them. If this is the way you like to work – slowly and deliberately – you will not be disappointed by this lens. The nanotechnology-engineered ‘apodization’ filter is an optional special element in the lens’s optical. To enjoy the full functionality of Fujifilm X-T3, you need to combine it with a perfect lens. Before you set into finding your choice for the best Fuji lens, you should first understand what all the letters and numbers beside each product mean. The aperture and focusing rings are comfortable and easy to use. For many Fuji shooters in need of an ultrawide angle lens for video work this will be a winning combination. And although this provides some of the feel and control of manual focus, it is essentially an electronic simulation of manual focusing. Just like in ye olde days. And most of the time your subject will be in the center – making this a bit of a non-issue. Faced with a choice between a sharp lens and one that produces soft footage, clearly nobody in their right mind would choose the soft one. The wide f/1.2 aperture supports shallow depths of field, with an incredible focus area. The wide-angle lens covers up to a 24mm field of view, in full-frame terms. A hallmark of Fujifilm lenses is their high quality and superior optical performance. But that seems like a small price to pay for such a robust bit of gear. As a starting point, try setting sensitivity to maximum and AF speed to minimum, and adjust as needed from there. Now, this list is in no particular … The rain won’t stop the fun too, as the lens has a comprehensive weather-seal. A brilliant example of a newer prime lens and certainly one of the best lenses for Fujifilm X-T4 is the XF 23mm f/2. AF tracking works exceedingly well when following a moving subject, and there’s virtually no lens motor noise. See used prices here. So which Fuji X-mount lenses are best for videography? But just keep in mind that a wide aperture means a narrow depth of field, and so edge details are likely to be out of focus anyway due to the narrow aperture. It’s not just focus that is manual though; aperture is also controlled mechanically via a physical ring on the lens itself. A collection of creativity-oriented lenses, which complement the X-Trans CMOS sensor perfectly and eliminate the low-pass filter for ultimate sharpness. Its metallic, glossy black barrel has a bayonet mount used to attach the hood. Looking for an even wider point of view than is offered by the Fujinon 16mm f/1.4 (above)? Such a feature makes this product’s bokeh appear softer and more creamy. In reality, then, when choosing a video lens for your Fuji X-mount camera, there will always need to be a degree of negotiation between maximum aperture, on the one hand, and your budget on the other. Put like this, it’s clear that you will probably want to seek out a lens with a nice fast maximum aperture. Focal Length: 550-200mm (80 … For everyone else, though, purchasing a lens that comes with its own image stabilization might well be a wise investment. The 10 Best Fuji Lens for Shooting Video in 2020 (with Video Examples), Fujifilm Fujinon XF8-16mmF2.8R LM WR Lens, Rokinon RK21M-FX 21mm F1.4 ED AS UMC High-speed Wide Angle Lens for Fuji, Rokinon Cine CV12M-FX 12mm T2.2 Cine Lens for Fujifilm X-Mount Cameras, Fujifilm XF 18-135mm f/3.5-5.6 R LM OIS WR Lens, Fujifilm Fujinon XF55-200mmF3.5-4.8 R LM OIS, The 13 Best Web and Conference Cameras for Video Interviews & Streaming in 2020, The 5 Best Podcast Hosting Platforms in 2020, Snapchat by the Numbers: Stats, Demographics & Fun Facts, TikTok by the Numbers: Stats, Demographics & Fun Facts, Pinterest by the Numbers: Stats, Demographics & Fun Facts, Facebook by the Numbers: Stats, Demographics & Fun Facts, Built-in high-torque DC coreless motor for an ultra-fast AF performance, HT-EBC and Nano GI coatings to reduce reflections, Unique nanotechnology-engineered ‘apodization’ filter, Ultra Multi-Coating on all lens elements to reduce flare and ghosting, 0.8 pitch gearing on focus and aperture rings, De-clicked aperture for smooth iris pulls, Nano Coating System for higher contrast images. Omnicore is a Healthcare Digital Marketing Agency specializing in all facets digital marketing: search, social, PPC, and PR to help grow healthcare practitioners and multi-specialty medical groups. While there’s an older XF 23mm f/1.4 lens available that’s optically brilliant (see review), it’s … Lenses The vision of the X Series, the choice for X Series owners. Fuji cameras – lightweight, rolling-shutter prone bodies – can create some gorgeous video footage, but stabilization can be an absolute nightmare. Even though Fujifilm made these lenses for their cheaper X-mount cameras, such as the X-A7 & X-T200 cameras, you’d still get the value for your money when used with pricier models. Also keep in mid that you will get the best AF results when recording video internally – i.e. Or if it’s cheap and has a fast maximum aperture then it might not be very sharp. The company has been steadily expanding its X-system lens catalog for almost a decade now, making the process of picking the best Fuji lens a daunting one. Here are the top rated Fujifilm X-T3 lenses. The core lenses Fujifilm currently have for the X-Mount are in dire need of an update. Fujifilm XF 18-55mm f/2.8-4 R LM OIS (Amazon, B&H) Fujinon XF 16mm f1.4. The 24mm equivalent field of view is an eternal favourite with landscape and architectural photographers, capturing wider and more dynamic compositions than a 28mm, but without the distortion of an ultra-wide. Even in low lighting conditions, autofocus is snappy and displays no hunting. guide to the best lenses for the Fuji X-T4, Top 10 Best Fuji X-Mount Lenses for Street Photography, Top 6 Best Macro Lenses for Fuji X-Mount Cameras. The Rokinon/Samyang 12mm f/2 is available for the Fuji X-mount system and is particular well suited to being used as a videography lens.Â, But let’s start by getting the most divisive feature of this lens out of the way first; it is manual focus only.Â. Fujifilm XF 8-16mm f/2.8 R LM WR. Well, for a start, focus throw is good and long; making focus-pull effects and other subtle transitions a pleasure to shoot. There is a feast of glassware which incorporates 3 aspherical elements and 3 ED (Extra-low Dispersion) elements. Nifty Fifty – Fujifilm Fujinon XF 35mm f/2 R WR. Such a theory is certainly supported by this lens. And so on.Â. And while there is evident color fringing towards the edges of the frame, this is easily fixed in post. And in filmmaking that’s exactly how it should be. Zooms are handy. The dust and weather-proof Fujifilm lens include an iris diaphragm with nine rounded blades and an aperture ring on the metal barrel. If you are looking for an ultra-wide angle lens, the XF 8-16mm f/2.8 R LM WR is a real monster. Although there are lenses out there offering faster autofocus than the 16mm f/1.4, this is not going to be a major concern for anyone using it primarily for videography. The front elements do not rotate, allowing for the seamless use of filters such as graduates and polarizers. If you’re in a hurry, check out our Editor's Pick, Fujinon XF16-55mmF2.8. Required fields are marked *. Weight: … ★ - My all-time favorite lens! The contrast and bokeh are also spectacular, with excellent resistance to flare and ghosting, thanks to the dual conventional nano-structure coating. The other elements have convex surfaces that ensure that there is ample light coverage. What are the best low budget lenses for the Fujifilm X-T3? Aperture: f/2.5-4.8. See … We hope you enjoyed our comprehensive guide on the best Fuji lens for 2020. Autofocus works brilliantly; not only is performance fast, but essentially also silent. Many photographers prefer the wide-angle zoom over the prime… 1. Zeiss, a German manufacturer offering some of the best build quality around, also have three excellent lenses for the X-Mount system – the 12mm f/2.8 Touit, the 32mm f/1.8 … OIS - Optical image stabilization (helpful with zoom lenses to avoid blurry photos). Check Price on Amazon Directly Add to Cart on Amazon. Although it appears a little heavy, it is still relatively lightweight since it balances perfectly with most Fujifilm’s line of mirrorless cameras. But you’ll need to purchase and carry several of them in order to cover the same range of focal lengths as the average zoom. Of course, the world being what it is today, most big-name Japanese brands now outsource a lot of manufacturing to factories in cheaper SE Asian countries where quality control is not always up to the same standards. And an aperture of f/2 on a lens of this focal length makes for some very nicely blurred backgrounds. This is the ideal Fuji lens to go for if looking for stellar low-light performance and subject separation. Furthermore, The lens is sealed to protect against moisture and dust, ensuring its durability. 23mm and 33mm atx-m series f/1.4 lenses for Fuji X-mount cameras offer versatility for amateurs and professionals. XC15-45mmF3.5-5.6 OIS PZ – When we compare the Fuji 16 to 50 mm lens versus The 15 to 45 MM lens, the 15 to 45 MM lens is able to give you a bit cleaner images at wider end (15mm). Be sure to check out the Fuji 16-55mm f/2.8, an incredible all-rounder and one of the best Fuji lenses we’ve ever reviewed. I’ve often thought of purchasing that lens again, but for $900 – no thanks. The Fujinon XF16mm F2.8 R has been a great wide-angle lens option for Fujifilm users. Iris diaphragm with nine rounded blades. All in all, though, the Fuji 16-55mm f/2.8 is simply a very dependable and hardworking lens that will deliver great looking video in most shooting situations. busy or in some other way unattractive – it might risk becoming a genuine distraction from the main action.Â. you might find a sharp zoom, but it’ll probably cost a lot and won’t have a very fast maximum aperture. In short, no modern lens truly delivers appallingly in terms of image sharpness. With that said, though, it’s important to be aware that most modern lens are very sharp, and so discussions of the relative merits of one lens over another are largely ones of degree. However, for absolute image quality, weather-sealing, and a wider angle of coverage, the Fujinon XF 16-55mm F2.8 R LM WR is worth a try. And a noisy AF motor can easily show up on the audio track if recording via the internal mics. Hopefully, though, by working your way through my guide to the best video lenses For Fuji X-mount cameras, you now have a clear idea of exactly which features will be most important when choosing a lens or your own video work. Fujifilm 56mm f/1.2 ($899) Category: Portrait. The Fujifilm XF 16mm f1.4 is a high quality wide-angle prime lens for Fujifilm X-series bodies. For example, flare is well controlled. The number of lenses available for Fuji X-mount cameras has expanded rapidly over the last few years. Fujifilm X Series lenses fit APS-C Fujifilm X Series mirrorless cameras.Their advanced features, such as high megapixel sensors, live view capability, and excellent focusing maximize photographic opportunities offered by Fujifilm lenses. Unlike for many other lenses with the same features, the short focal length and the wide maximum aperture do not impede fast and quiet auto-focusing. To the point that Fujifilm shooters now have an almost confusing range of glass to choose from. While using the latest and complex optical formula, the XF 8-16mm combines high-end performance with rugged construction. The Fujinon XC35mm F2 is as basic as it gets. All rights reserved. This makes the XF56mm F1.2 R one of the best Fuji lenses for subject isolation and maintaining a natural shooting distance while blurring the background to your liking, with a tight depth of field. Offering a focal length equivalent to 27-53mm on full frame, Sigma’s 18-35mm f/1.8 Art lens is clearly not the most versatile zoom in existence. The spherical and chromatic aberrations are controlled by these elements, making them quite useful in these lenses. Indeed, many creative focussing effects that are core techniques of visual storytelling cannot be easily achieved by means of autofocus. The frustrating thing, as a Fuji camera owner, is that native Fujinon lenses do not come with genuine manual focus. To the point that Fujifilm shooters now have an almost confusing range of glass to choose from. New sensor, 4K video, dual SD cards, faster and a big step toward becoming a viable DSLR replacement. The wider the diaphragm opens on a lens, the more expensive it will tend to be. Although the 23mm f/2 is not stabilized, it is well weighted for use with Fuji X-mount cameras. The advantage of manual focus, then, is one of greater control. Of course, all this only serves to make the lens rather big and heavy. This will largely render edge softness irrelevant. Now the quality of bokeh produced by your lens will become very apparent.Â, Hopefully your footage will be interesting enough in itself that people are too busy clinging to the edge of their seats to be paying any attention to what’s happening in the background. It would also perform well when filming action sports, where the wide angle combined with an up close point of view would result in some pretty dynamic and exciting footage. The Rokinon CV12M-FX 12mm Cine lens for Fuji X-mount cameras is a wide-angle cine lens optimized for digital cinematography. Choosing a lens that focuses accurately will always be an important consideration, but it becomes of even greater importance when considering which lens to use for videography. Sadly, very few lenses for the Fuji X-mount system come with optical image stabilization. This lightweight companion still offers the same optical construction and performance you would get in the much more expensive XF35mm F2. I’d love to hear about your experiences in the comments section below! The included hood comes with a petal design that is made of plastic, enabling reversible storage. Finally, while you’ll struggle to achieve a sufficiently shallow depth of field to ever really notice the bokeh produced by this lens, rest assured that – on the rare occasions that it does occur – out of focus rendering is perfectly attractive. AF accuracy is also commendable. Fuji 55-200mm f/3.5-4.8. The Fujinon XF 55-200mm f/3,5-4.8 is a relatively portable telephoto lens, offering impressive image quality across its zoom range. To minimize the rate of distortion and chromatic aberrations, the manufacturers included three ED (extra-low dispersion) and two aspherical elements. Impressive, to say the least! As with most Fujinon lenses, the XF 23mm f/2 is well built, from barrel to mounting plate, in metal alloy. Fujifilm X-T3 is one of the best cameras on the market and features a 26MP sensor, 4K video at 60p, 11 frames per second. Lenses The vision of the X Series, the choice for X Series owners. The total price, then, is essentially the same as if you were to purchase a Fuji lens. Fujifilm Lenses for X Series Mirrorless Cameras. If you’re looking for an all-in-one zoom lens for the Fujifilm X-T4, the XF 18-135mm f/3.5-5.6 is a great choice. Color, detail, and sharpness are exemplary. The Rokinon/Samyang 12mm f/2 is an extremely durable and incredibly compact wide angle prime lens, which on a camera with an APS-C sensor provides an angle of view equivalent to 18mm. Needless to say, the 16mm f/1.4 excels on all three of these criteria. To be sure, if you are serious about videography you will quickly learn that using a camera’s built-in microphone is not the best way to record audio. At the same time the 16 to 50 mm lens is bit more sharp at the tele-end, that is at 50 mm. Salman Aslam is the Founder & CEO of Omnicore, a leading Healthcare Digital Advertising & Marketing Agency helping clients across the globe. So why would many people prefer this bigger, and a relatively more expensive model? The only minus found with this product is its lack of image stabilization. They produce an image circle that covers APS-C-sized sensors or much smaller ones.

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